Showing posts with label Art and Perception. Show all posts
Showing posts with label Art and Perception. Show all posts

Monday, June 29, 2009

The case for paying artists...

Another idea to stimulate the economy - and this one involving artists...
If the Obama administration is serious about stimulating the economy and creating as many new jobs as possible, one choice is clear: it should announce a massive increase in federal arts funding. Artists are among the very poorest citizens. When they get cash, they spend it both quickly and carefully. That’s not what most recipients of federal largesse do, but it happens to be exactly what economists look for in any stimulus package. Arts spending is fantastic at creating employment: for every $30,000 or so spent on the arts, one more person gets a job, compared with about $1 million if you’re building a road or hospital. And such spending has a truly lasting benefit: the Works Progress Administration didn’t just create murals, it subsidized enormous leaps in graphic design, in theater (including America’s first all-black production of Macbeth), and in fine art. One painter lived off the WPA’s Federal Art Project for eight years before finally getting his first solo show in 1943. Maybe a similar program today could produce America’s next Jackson Pollock.

Friday, April 24, 2009

Art. Fail. Completely.

From yesterday's NY Times... an exercise in cheapskate, wannabe solutions to having art on one's walls. On the other hand, it begs the question - what is art?

From here: Juan Montoya created a piece of “art” by hanging a canvas he painted with Benjamin Moore’s Big Country Blue over an ample sofa. One visitor to the room asked if the painting was by Barnett Newman,” he said. Nobody knows it didn’t come from a gallery.” Mr. Montoya used a 6 by 12 foot canvas; a 24 by 48 inch canvas, sized to fit a less cavernous room, is about $36 at dickblick.com.

Monday, March 16, 2009

Art as investment - thoughts

As talk swirls around the fact that some art dealers are doing the unthinkable and slashing the prices of artists they represent, Wooster Collective has an interesting observation on the 'art as investment as opposed to art for art's sake' conundrum:

"As an investment, art should be treated no different than a stock. Investments go up and down. Why shouldn't art? On the flip side - If you buy art not as an investment but because you love it, why should it matter to you if the price comes down? You bought it because you loved it, not because of it's value."