The main room features Jonathan Viner. His paintings focus on themes of survival where individuals use aspects of their personality or environment to survive (I know this is a oft beaten artistic track, but his technique trumps stereotypes). The characters (mostly painted from live models) employ a variety of devices to survive : they run away from trouble, take stock of the world from afar, fight or strip naked. The paintings were a mixture of Weimar’s Otto Dix, Old Master imagery and psychoanalysis.
The project room featured two artists. Xiaoqing Ding from China and Esao Andrews from Arizona. I can’t seem to decide whose works I like better. Is it the Chinese lady’s works with its sexual innuendoes referencing mythology and fairytales done in a ‘cheap Chinese calendar’ style or was it the undertones of despair and brooding perpetuated by Esao’s paintings? - I am not sure, but, both the painters seem to have a lot of talent and imagination.
Xiaoqing Ding obtained her MFA from the Hoffberger School of Painting, Maryland and Esao Andrews has a BFA in illustration from SVA. Jonathan Viner has a BFA from the Rhode Island School of Design and is based out of New York.
Jonathan Viner, The Courier's Kevlar, Oil on Panel, 36" x 24"
Jonathan Viner, Look Away III, Oil on Panel, 36" x 24"
Jonathan Viner, Look Away III, Oil on Panel, 36" x 24"
Jonathan Viner, Look Away II, Oil on Panel, 36" x 24"
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