The first was the underground dungeons that ware holding cells for slaves in the 1700's before they were loaded onto ships waiting at the harbor for onward transport to the plantations of Caribbean or the Americas. The images are haunting, severe and speak of a time that remains a bloody spot on blotting paper of humanity.
This excerpt from an article in the venerable economist some time back makes the situation a little more explicit:
The dungeons can still shock, two centuries after their last inmates were freed. Damp and fetid in the tropical air, immersed in virtual darkness, this is where slaves were kept, often for months at a time—before being led down a tunnel through the “door of no return” to ships riding in the surf, ready to begin their appalling voyage over the ocean.Of course, there are always two sides of a story as the following passage pitches to us tellingly:
Just one of the countless inmates left a written record. Having been sold to white traders for a gun, a piece of cloth and some lead, Quobna Ottobah Cugoano recalled waiting in the dungeon till his time arrived: “To conduct us away to the ship, it was a most horrible scene; there was nothing to be heard but rattling of chains, smacking
of whips, and groans and cries of our fellow men. Some would not stir from the ground, when they were lashed and beaten in the most horrible manner.”
The second aspect of her trip that struck me was a more joyous one. The aspect of coffin making among the Ga tribe of coastal Ghana. They believe that once an individual dies, they need to move onto the nether world in style and hence they tend to make coffins that represent some aspect of a person's life to ferry the person onward in afterlife. If the person was part of the fisher folks, then the coffin would be carved out of wood and would resemble a fish or a fishing boat. If the individual worked for the armed forces or was a security guard in the government, then the coffin would resemble an aspect of military life – say a cannon or a tank. This aspect of Ghanian life seems to be both frivolous as well as artistic.A smokescreen still covers the African role in this pernicious trade. It is an awkward fact that the traffic could not have existed without African chiefs and traders. Europeans rarely went far from their forts; slaves were brought to them. Indeed, when the Europeans arrived the slave trade and slavery were already integral parts of local tribal economies. One of the few Ghanaian historians to touch these issues, Akosua Adoma Perbi, writes that “slavery became an important part of the Asante state [the Gold Coast's most powerful] right from its inception. For three centuries, Asante became the largest slave-trading, slave-owning and slave-dealing state in Ghana.”
The coffins seem to be made with a lot of love and care for something that is going to be buried into the ground never to be seen again - almost represent an aspect of mandala-art to me - done once beautifully, but destroyed forever by its erasure. Nevertheless, these photos capture both the sordid aspects of the slavery that flourished until recently as well as the artistic aspects of Ghanaian afterlife.
After enjoying the wealth of cultural detail second hand, I told her that after our children grow up, I would persuade my wife to take a trip over to the gold coast of Africa and see all this for real.
Hope you enjoy these pictures as much as I did.
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2 comments:
Hi, Sunil.
I've read about the ornate, individualized coffins before - in this excellent piece from the Guardian - but I always get a kick out of seeing them.
Chris,
That indeed is an excellent article. Thanks for sending the link over. Very useful to add to the repository.
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